- What is your creative process when making music?
— Sound always comes first for me. I’ll head out into the city or into nature with my recorder, chasing everything from subtle wind patterns to the chaotic rhythm of traffic. Back in the studio, I treat those recordings as raw clay—running them through my modular synth and sculpting them into instruments so abstract they’re almost unrecognizable, yet still carry the DNA of the original environment. - What was your worst performance?
— Let’s just say it was a late gig for an indie artist I won’t name, and the venue had… questionable planning. Mid-set, they literally cut the electricity, leaving us in complete silence—no fade-out, no warning, just an awkward blackout. It was a lesson in how fragile live performance can be when the logistics crumble.
*What inspires you as an artist?
— Math is my ultimate muse. I studied it in college, and I see its fingerprints everywhere—in rhythms, in harmonies, in the way sound moves through space. For me, making music is just solving equations where the answers aren’t numbers—they’re worlds you can hear and feel.
*How do you nurture your own creativity?
— I recharge by reading and heading out for more field recordings. Wandering with a microphone makes me hyper-aware of textures and details the ear normally ignores, and those moments often spark entire compositions. For me, the world is always offering answers—you just have to be listening.
*What instruments can you play?
— Guitar, keyboard, modular synth, and turntable are my main tools. But I tend to treat anything that makes sound—an old pipe, a jar lid, a rusted hinge—as an “instrument”. Everything and anything creates sound could be instrument to me.
*What would you say is your greatest strength as an artist?
— I don’t let my ego dictate the music. I try to serve the piece itself, allowing the sound to guide the direction rather than forcing it into my preconceived ideas.
*What would you say is your greatest weakness as an artist?
–– Too many ideas, too little outcomes. I generate ideas faster than I can finish them. My hard drives are basically graveyards of half-built sound worlds waiting for me to return.
*Who is your favourite musician?
— There are far too many brilliant artists to name just one. I’m deeply inspired by Björk, Arca, Marina Herlop, and a whole spectrum of experimental, avant-garde voices pushing boundaries in sound.
- What interests or hobbies do you have outside of music?
–– Carpentry—and really, anything DIY. I love starting from nothing and building something all the way to 100, whether it’s a piece of furniture, a custom acoustic panel, or an entire studio. It’s that same thrill of creation, just with sawdust instead of sound waves. - New Album/Ep In The Works?
— Latest single “Unus Mundus” is a collaboration with Brianna Young! “Unus Mundus” is Latin for “One World” —a primordial unified reality from which all opposites emerge. The song mirrors Carl Jung’s and Chinese cosmological ideas: that synchronicity, light/dark, dream/reality, observer/observed are all expressions of the same source. The song begins with chopsticks foley—a subtle, tactile sound evoking a watery, dark, cavernous dreamscape. Modular synths and eerie textures shape a mythical space, filled with “creatures from the other universe.”
My new single is a collaboration with artist BRIANNA YOUNG, here are some links:
https://song.link/Unus_Mundus
https://open.spotify.com/track/54nGTZ0SHrPbp4UXZ7E4HT?si=c82aef78d09b48b0
https://diipsilence.com/
https://www.briannayoungart.com/
